On 2001-11-16 scarecrow, Chicago, Illinois United States wrote: We begin in what looks like Santa Monica where Salonen resides,or near the Pacific,being picked up for a early rehearsal.Salonen has wonderful things to say on creativity, on understanding, on musical destiny, technique as well, texture, layers within Debussy´s ´La Mer´,and how creators have transformed nature into art. Salonen a composer himself brings this other dimension to his music making as Pierre Boulez. Composers he says, have always been drawn to nature, for nature represents endless possibilities, nature helps us humans transcend art and artistic criticism.
The Los Angeles Philharmonic is simply fine music making, sensitive players,encompassing this depth of reference and vision that Salonen articulates.
The lifeworld of music making in Los Angeles seems to be this pervasive seemless orchestral timbre,(I heard them live on tour in 2001) overwhelmingly shaped and articulated moments. This is where the string body dominates the proceedings, winds then blend imperceptively into them and the brass even more. The Bass Drum Player even reveals he has five or six mallets to coax differing timbres from this membrane stretched over a round shape,blending with strings is different than when brass are involved.
There are some nice touches in the editing, angle shots, shots of shoes was cute and oddly interesting, LA´s ubiquitous palm trees in various pear shapes,gently flowing in the breezes.
My only disagreement here is Salonen really didn;t analyze the work, and there didn´t seem much to do in rehearsal.Well we know that, that the LA Phil knows the damn piece. But for us out here we need to be brought to it from day one, when they first started to put the work together.
Salonen made reference that Debussy took tremendous dangerous chances,and profound challenges in his orchestration. This is where what may be in your head, will not necessarily be what you hear in the real world. Ravel by contrast,Salonen continues, was a greater orchestrator,but took no chances.
We should have heard how Salonen prepares himself to conduct the work, What does he do as conductor as homework?Where does he begin? That would have made very interesting observations.. And summed up by saying great all the way, should have had more speaking. Currently Esa-Pekka Salonen - In Rehearsal (Debussy - La Mer) has an overall rating of 8 over 10.
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Image Entertainment claimed The eminent Finnish composer and conductor Esa-Pekka Salonen became the music director of the Los Angeles Philharmonic in 1992. Under his dynamic leadership, the orchestra is recognized as one of the world´s most outstanding, and the exciting partnership Salonen has established with his musicians has been widely acclaimed in the international press. The conductor´s efficiency and lack of pretension have promoted a relaxed cooperation between himself and the orchestra, which is particularly evident in the rehearsal process. This program gives a fascinating insight into Esa-Pekka Salonen´s rapport with the orchestra and Debussy´s Impressionistic masterpiece, ´La Mer.´
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